Conference Report on "Mobility in English and American Literature and Culture, 1500-1900"
A report by Catharina Drott and Gero Guttzeit
> Conference Outline
Pilgrims, Pirates, and Red Herrings: Perspectives on Early Modern Mobility
One of the papers focusing on mobility in the form of travel was ANDREW HADFIELD's (Sussex) "Mobility in the Works of Thomas Nashe". As the title of one of Nashe's novels, The Unfortunate Traveller, implies, travel is always associated with hardship or misery in Nashe's works. Hadfield investigated a debate between Nashe and his arch enemy Gabriel Harvey on the value of Richard Hakluyt's popular Principal Navigations, in which Nashe strongly opposed Hakluyt's promotional and self-fashioning collection; Harvey countered by speaking of Nashe's travel literature as ‘phantasticall bibble-bables.’ Nashe's Lenten Stuffe, a reaction to Harvey's taunts, was a successful parody of early modern English overseas mobility, and satirically criticised the patriotic self-fashioning and promotion of English explorations. Hadfield argued that the central personification of a red herring going on a journey not only transforms the herring into an object representative of the importance of sustenance in foreign travels, but it also turns it into a mobile and expedient object which indirectly draws the attention towards socio-economic conditions at home, thus ultimately criticising the exploitative aspects of English mobility in the early modern period.
TOBIAS DÖRING (Munich) brought up the question of theatrical mobility, which was also at the heart of CHRISTOPH EHLAND's (Paderborn) presentation "The Stage is Not Enough". In his paper on "Magic and Mobility: Theatrical Travels in Marlowe and Shakespeare", Döring examined English Renaissance theatre not only as a site of social mobility and cultural exchange but also as a medium for the staging of contingency, an element of mobility that Greenblatt views as its central characteristic. Speaking mainly about Othello and Doctor Faustus, Döring elaborated on the metatheatrical foregrounding of the performative power of words, a power predicated on immobilizing the spectators of the play. At the same time, the theatre of Marlowe and Shakespeare contrasts with the earlier medieval theatrical tradition where the journeys from heaven to hell are conceived in terms of physical movement; in Renaissance theatre, the actors move within the small space of the stage and yet this stage is everything by way of the rhetorical and dramatic, indeed magical, power of words. The uses of theatrical mobility, Döring concluded, lie in its power to redefine the local as a space where the spectators can meet again despite all the hurly-burly of contingency. In the discussion of Döring's paper, MARSHALL BROWN (Seattle) suggested that, instead of opposing mobility and change in terms of agency, researchers might rather look at the difference between mobility and mutability in terms of identity. To identify mobility, the thing or person that is mobile has to have a stable enough identity, otherwise one could not speak of the mobility of the entity. What lies at the origin of the undoing of this identity is mutability. As Brown phrased it, mobility and identity are dialectically inseparable.
In her two-part paper on "Piracy and Mobility in English Renaissance Literature", CLAIRE JOWITT (Nottingham) examined how pirates were connected with and challenged ideas about mobility and how literary depictions of pirates can be regarded as generically mobile. Drawing on The Fair Maid of the West, The New Arcadia, and Hamlet, Jowitt outlined how pirates are physically, socially, and culturally mobile: beside the obvious movements of pirates on sea, their social mobility was highly flexible and depended on circumstances or interests of individuals, larger groups or even nations. Hence, Jowitt explained, piracy generally counted as a criminal act, but at the same time was also a useful means to control foreign policy which was beyond the limits of geographical jurisdiction and later became known as ‘privateering.’ Jowitt then established a connection between the fictional counterparts of pirates and the generic boundaries of epic and romance. Literary figures of pirates, she argued, operate with features of both registers and unite aristocratic patterns of behaviour with romance values, and thereby confront, push, and modify the generic limitations of epic and romance. Jowitt's outline of the mobility of pirates and the implications of depictions of pirates in literature illustrated the mobile and adaptable attitude to what constituted piracy in the early modern period.
Other papers on early modern mobilities focused on John Donne (JAN BORM, Versailles), the relation of mobility and autobiography (TILL KINZEL, Braunschweig), and the mobility of political pamphlets (HERBERT GRABES, Giessen). After HASSAN MELEHY's (Chapel Hill) paper on "Literary Transfers of Sovereignty: Montaigne, Shakespeare, and Lipsius", the conference moved beyond the 16th and 17th centuries.
Mobility, Mob, and Migrant Fictions in the 18th century
That the mobile and changeable evaluation of writing was at the heart of canon formation in 18th-century America was shown by JULIA STRAUB (Berne) in her talk on "Early American Literature and the Canon: The Mobility of Literary Value in the Eighteenth Century".
Social and Individual Mobility: 19th-Century Travels with a Carpetbag
The papers on 19th-century literature and culture ranged from MARSHALL BROWN's (Seattle) talk on "Austen's Immobility" and STEPHEN PRICKETT's (Canterbury) examination of authorial mobility in his talk on "Exile as an Existential Condition: Kierkegaard, Conrad and Kipling", to epistemological and social mobility. In her talk on "Social Mobility and Female Agency: The Case of Jane Morris", WENDY PARKINS (Dunedin) outlined the relationship between literature and social mobility in the 19th century through the example of the Victorian model Jane Morris. As an icon of Pre-Raphaelite art, Morris became an important figure in the aesthetic movement and her embodiment of high art widely circulated in Victorian culture. As the "face of aestheticism", Parkins argued, Morris provides an example of the mobility of an image associated with the expansion of print culture, the development of new forms of visual technology and the rise of celebrities in the early Victorian period. Parkins went on to juxtapose the historical figure of Jane Morris with a literary depiction of her in Vernon Lee's Miss Brown, in which a Morris-like figure is confronted with aestheticism, positivism, and socialism. The novel reflects upon Morris' transformation from working-class girl to intellectual woman, not only through an upgrading marriage, but also through the self-acquisition of cultural capital, such as music and languages, and, most importantly, reading. Liberation through literacy, Parkins argued, was associated with the attainment of an internal and emotional emancipation, which made it an important premise for successful social mobility.
The last day of the conference also saw a paper which added the notion of a movement-based epistemology being one of the foundations of Victorian writing (PHILIPP ERCHINGER, Exeter). The conference came full circle when DENNIS BERTHOLD (Texas A&M), in the final paper, took up the question of literal rather than literary travel, in the example of an indeed well-travelled American author, when he spoke about "Melville's Carpetbag: Nautical Transformations of the Authorial Self".
Opening remarks (Ingo Berensmeyer, Christoph Ehland, Herbert Grabes)
Ingo Berensmeyer (Giessen): "From Pilgrimage to Picaresque: Mobility in English Literature from the Middle Ages to Early Modernity"
Andrew Hadfield (Sussex): "Mobility in the Works of Thomas Nashe"
Tobias Döring (Munich): "Magic and Mobility: Theatrical Travels in Marlowe and Shakespeare"
Claire Jowitt (Nottingham): "Piracy and Mobility in English Renaissance Literature"
Jan Borm (Versailles): "John Donne and Metaphysical Poetry on the Move"
Christoph Ehland (Paderborn): "Moving Texts: Doubts, Desires and the Brave New World"
Till Kinzel (Braunschweig): "Mobility and Autobiography on Land and Sea from Samuel Pepys's Diary to Mary Lacy's The Female Shipwright"
Herbert Grabes (Giessen): "Support from Abroad: The Early English Import of Oppositional Pamphlets"
Hassan Melehy (Chapel Hill): "Literary Transfers of Sovereignty: Montaigne, Shakespeare, and Lipsius"
Stephan Kohl (Würzburg): "Spatial Practices of 18th-Century Domestic Travellers and the Idea of the Nation"
Pascal Fischer (Würzburg): "The Conservative Distrust of Movement in the 'French Revolution Debate'"
Birgit Neumann (Passau): "'Travels for the Heart': Practices of Mobility, Concepts of Movement and Constructions of Individuality in Sentimental Travelogues"
Oliver Scheiding (Mainz): "Migrant Fictions and the Early Story in North America"
Julia Straub (Berne): "Early American Literature and the Canon: The Mobility of Literary Value in the Eighteenth Century"
Marshall Brown (Seattle): "Austen's Immobility"
Julika Griem (Darmstadt): "Trapping Travellers: Social Mobility and Narrative Confinement in Henry James"
Stephen Prickett (Canterbury) "Exile as an Existential Condition: Kierkegaard, Conrad and Kipling"
Wendy Parkins (Dunedin): "Social Mobility and Female Agency: The Case of Jane Morris"
Philipp Erchinger (Exeter): "Moving out of Ignorance: Victorian Writing and Experimental Practice"
Dennis Berthold (Texas A&M): "Melville's Carpetbag: Nautical Transformations of the Authorial Self"
Abb. 1 Ingo Berensmeyer und Deborah Neininger
Abb. 2 Martin Spies
Abb. 3 Herbert Grabes
Abb. 4 Martin Spies